Kamere

(za posnetke pol pod/pod nad vodo)-Moving the waterline away from the lens makes it possible to capture images both above and below the water simultaneously.-These are often referred to as half and half, 50/50, over under or split-level pictures.-Easy to operate, nearly infinite depth of field, wide-angle lens and video and still image quality make the 4K perfectly suited for this application.-The Dome Port utilizes a custom made semi-hemispherical acrylic dome that has been optically matched to work with the GoPro lens,package includes GoPro housing and a floating handheld, all you need is a camera, turn it on and produce stunning imagery.-The use of a semi-hemispherical dome eliminates the perpendicular angle between the backing plate and the dome.The benefits of this are the elimination of circular reflection and improved water sheeting while reducing the form factor and maintaining full front face surface area.-The side of the base has 12 screws,this design allows the dome to be fully disassembled for cleaning and service.-The Dome Port works with the Hero3+ or Hero4 housing and does not require any special modifications or separate accessories.-The GoPro is just as secure as always since the Dome Port slips right onto the housing, it does not alter the depth rating of the GoPro housing.-The Dome Port provides access to mode, power and shutter control buttons while installed,for more processing you can use a gopro WIFI remote control as well.

The Panasonic Lumix DMC-FZ2500/FZ2000 is a well-designed enthusiast bridge camera focused on video, and it offers capture tools that you won't find on any other camera in its class. 4K video quality is excellent, though there's a substantial crop factor, essentially knocking out the wide end of the lens. Still image quality is decent, though it's hampered by a so-so lens and JPEG engine that could use a tune-up. If you're a videophile then it's a top choice. If not, there are cheaper options out there.It is the company's video-centric superzoom camera. It features a 20MP 1"-type CMOS sensor, 24-480mm equiv. F2.8-4.5 lens, a 3" fully articulating LCD and large electronic viewfinder. The camera can shoot continuously at 7 fps with live view and continuous AF and uses Panasonic's impressive Depth from Defocus autofocus system. While the FZ2500 has a ton of features related to stills shooting, including a clever new Focus Stacking option, the 'focus' is on video. The camera can capture both DCI and UHD 4K video at both 30p and 24p. There's a full suite of capture tools available, ranging from zebra patterns to SMPTE color bars.

This camcorder is designed to be compatible with European broadcast standards and is not compatible with NTSC. It can capture video at 4K UHD (3840 x 2160) resolution, four times the resolution of full-HD video, at 50 frames-per-second. With that resolution, you can us the 4K Photo Mode to extract individual frames from your videos and create high-quality photographs. Panasonic's CrystalEngine 4K chipset reduces rolling shutter artifacts from the sensor by increasing readout speed. When stepping down to full HD resolution, the CrystalEngine 4K can record slow-motion video in camera.(z powerbankom)

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