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  • This EF-FX Pro II Lens Mount Adapter from Fringer allows you to use a Canon EF or EF-S mount lens on a Fuji X-mount body. It features native support for in-camera aperture adjustment and for phase-detection autofocus. In addition to the in-camera aperture controls, the aperture may also be adjusted using the electronic aperture ring located on the adapter itself.While this adapter will work with all X-mount cameras, it is especially well suited for use with cameras utilizing the X-Trans II or III CMOS sensors as the autofocus will perform more quickly and reliably on those camera models.
  • It is the world’s first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more background details can now be seen. The front barrel of the lens is waterproof and an LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensors and is super lightweight to carry.
  • The EF-S 17-55mm f / 2.8 IS USM lens with a fixed aperture of f / 2.8 at full magnification and image stabilization technology allows about three apertures for longer times in low light than without stabilization.
  • with LCD Screen for Studio, YouTube Video Shooting Product Photography, 660 Beads CRI 96+, Durable Metal with U Bracket and Barndoor.

    • Dimmable brightness and 2 color temperature
    • Premium material & LCD screen
    • AC/DC power options
    • U-Mount Bracket
  • It has a 4.7" lens that can be focused from 10 to 60° spot-to-flood and can be further controlled using the included 4-way barn doors for selective lighting. Color temperature is a solid 5600K, making it ideal for shooting outdoors on location or for matching other daylight-balanced fixtures.
    • The Dayled 650 draws just 60W, while it outputs the tungsten equivalent of 650W
    • Lupo LED Fresnels are a wise solution for all types of photographic and video shooting
    • With its 10 to 60° degree focusing Fresnel you can flood an area, fill a silk, or tighten the beam for sharp-shadow sunlight effects
    • They are also ideal for use in small- and medium-sized TV studios
    • Light intensity is variable from 0 to 100% without color shift; adjustments are displayed on the light's LED screen
    • The carbon fiber-reinforced technopolymer shell guarantees high resistance to any type of rigorous use
    • True Color Technology makes possible a Color Rendering Index (CRI) of 97, indicating advanced accuracy in rendering color
    • The Dayled 650 comes with a multi-voltage AC adapter for worldwide use, but you can also run the light with a separately purchased battery
  • A versatile constant light source well-suited for video work, this SL-60 LED Light from Godox is a daylight-balanced.
    • Daylight-balanced light has a color temperature of 5600K.
    • The 60W COB LED offers a high output along with color-accurate rendering and dimming control from 10-100%.
    • On-board brightness adjustment is available using the rear dial and LCD.
    • Included RC-A5 remote control offers wireless dimming control as well as the ability to work with six lighting groups and 16 channels. This 433 MHz remote runs on three separate AAA batteries and has a wireless range of approximately 65.6'.
    • Bowens S-mount is compatible with a variety of light modifiers and accessories, such as the included reflector for producing a broad, even, and neutral light quality.
    • Integrated heatsink, built-in fan, and temperature control function help keep the light running cool for safe and consistent use. The temperature of the fixture itself can also be monitored, in Fahrenheit or Celsius, on the rear LCD.
    • Runs on 100-240 VAC power for use worldwide.
  • 58000lux@1m, CRI96+ TLCI97+, 8 Pre-Programmed Lighting Effects, Ultra Silent Fan, W/BD-04 Barndoor Kit.It is suitable for broadcasting, cinematography, online streaming, and other video applications. The light comes with a reflector.
    • Portable LED monolite-style light source outputs up to 150W of power
    • Daylight-balanced with a color temperature of 5600K with a ±200K variance
    • Brightness can be dimmed from 0 to 100%
    • Remote control allows for easy wireless adjustments
    • Wireless system with 32 channels in 16 groups
    • Yoke with tightening knob
  • The Aputure Amaran 200d is a daylight point-source LED fixture with stunning brightness and wireless Bluetooth app control. Amaran provides the ultimate lights for content creators, interviews, portrait photography and video production.
    • 200W Point-Source LED Light
    • Beam Angle: 105°, Dims 0-100%
    • Color: 5600K, CRI/TLCI: 95/96
    • Bluetooth Remote Controllable
    • AC Power, Optional Battery
    • 8 Built-In Customizable Effects
    • Bowens Reflector Mount, Umbrella Holder
  • This portable all in 1 120cm / 48″ round reflector kit is handy for any situation when out on location or in a studio. It folds down to a small 48cm circle and comes in a carry bag.Reflectors are lighting modifiers that are not directly hooked up to your lighting. There are several different colors of reflectors available, and this element is the most important factor in choosing your reflector. Silver reflectors brighten your picture without affecting the light color; white produces a neutral fill, without any colour or quality changes to the light; gold adds warmth to the colour profile; black introduces negative fill – effectively removing light from the subject to increase contrast and interest; translucent will diffuse stark light sources and soften the lighting
  • - GOLD surface: for high contrast warm light- SILVER surface: for high contrast cold light increasing the high lights- WHITE surface: for very soft, low contrast natural light- TRANSPARENT surface: for diffusing any kind of light, providing softness and extremely soft shadows- BLACK surface: totally absorbs light, reduces reflections and shields the subject FEATURES- High quality materials, designed to be durable and dependable- Folds down to about 1/3 of its open size- Flexible spring frame, easy spreading and closing SPECIFICATION- Size : 120cm x 180cm
  • Umbrellas are the backbone of many photographers’ toolboxes, and understandably so. Umbrellas are affordable, easy to work with and very easy to transport. The fabrics have been selected to provide a superior quality of light over years of heavy-duty use, and the metallic elements have been surface treated to prevent rust and discoloration. The white versions create an even, diffused light with soft shadows, and the closer the umbrella is placed to the subject, the softer the shadows will be.
  • The Elinchrom Deflector Set gives photographers the freedom to easily modify the hardness / softness of their lights. Deflectors can eliminate, soften or tone sharp shadow edges. Very efficient with the Elinchrom softbox and reflector range. Just connect a rod to your chosen deflector and slot it into the umbrella tube on your Elinchrom flash head.
    • The centered umbrella tube, enables you the choice of which Deflector to be used with a wide range of Elinchrom heads and accessories.
    • With the front diffuser removed, the Portalite softbox is effectively a fold up beauty dish, the only difference being that any catch-light from the Portalite will be square, where with a beauty dish it would be round.
    • With the Portalite assembled without the diffuser, the direct flash light creates a very hard edged shadow, which is partially filled in with the softer but un-diffused light reflecting from the silver fabric of the softbox.
    • Each deflector when fitted, simply modifies the relative proportions of the hard direct light from the flashtube, and the softer reflected un-diffused light from the silver fabric.
    • The translucent and clear deflectors allow some direct light but diffuse it to a greater or lesser extent.
    • The silver and gold deflectors completely block the direct light from the flashtube, removing harsh edged shadows and leaving just the light that has hit the modifier.
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