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  • The Rode Blimp Windshield and Rycote Shock Mount Suspension System is designed to provide your shotgun microphone with protection from wind noise and isolation from shock and vibration. It fits the Rode NTG1, NTG2, NTG3, NTG4, NTG4+, NTG5, and any shotgun mic up to 12.75" in length.The Blimp attaches to any standard boom pole with the 3/8" thread attachment at the base. Housed inside the grip is a Mogami microphone cable which splits via a junction box to a flexible thin cable inside the Blimp, to minimize the transference of vibration to the microphone.
    Dead Wombat windshield, caring brush and tail/patch cable are included.
  • This Samyang 24mm T1.5 VDSLR II super wide-angle lens was created for cameras with either full-frame or APR-C sensor.All lenses are covered with state-of-the-art anti-reflective UMC (Ultra- Ultra Multi Coated) layers. Such optics combined with the highest quality materials ensure ideal image quality.The light transmission ratio of the lens Samyang 24mm T1.5 Canon VDSLR II corresponds to T1.5 t-stop. Other characteristic features of the device include the follow-focus gearing and smoothly adjustable aperture ring. Such alterations allow for extremely precise and quiet modification of focus and depth of field whilst filming.
    • features 13 lenses in 12 groups including 4 extra-low dispersion lenses (ED) and 2 glass aspherical lenses (ASP).
    • Aperture range of T1.5 - T22
    • Uses 77mm filter size
    • Features ultra multi-coated glass and 9 aperture blades
    • Angle of view of 84.1 degrees on full-frame and 61.3 degrees on APS-C
    • De-Clicked Aperture Ring
    • Hybrid Aspherical Lenses
    • Removable Petal-Shaped Lens Hood
  • Samyang 35mm T1.5 VDSLRII Cine Lens for Canon EF Mount answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Samyang VDSLRII Cine lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.It was constructed to fit most popular reflexive cameras with small sensors (full-frame). This 35mm lens produces a 84.1° coverage when used with full frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens.
    • Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    • Declicked aperture ring for smooth iris pulls.
    • A minimum focusing distance of 12" allows you to get up close to your subject.
    • A removable petal-type lens hood provides flare protection without a matte box.
    • The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
  • Samyang 50mm T1.5 AS UMC VDSLR II lens for Canon is a fast, manual focus, prime lens. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
    • Standard length manual focus prime lens for full frame EF mount cameras. Will also fit APS-C format cameras
    • Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions, and side-facing aperture and distance markings.
    • Internal focusing system with 9 lens elements in 6 groups.
    • One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame.
    • Lens multi-coating improves light transmission and reduces flare and ghosting.
    • Minimum focus distance of 1.5'
    • Filter thread diameter of 77mm
  • Samyang Optics 85mm T1.5 VDSLR AS IF UMC II is a semi-telephoto manual focus cine lens designed for full frame sensor sizes.It is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. Also, distance scale and T numbers are marked on both sides of the lens for convenience.
    • Ultra Multi Coated (UMC) lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.
    • Industry-standard gearing for focus and aperture rings. Each lens in the Samyang VDSLRII Cine Lens series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
    • Declicked aperture ring for smooth iris pulls.
    • A removable lens hood provides flare protection without a matte box.
    • The lens opens up to T1.5, providing the capability for low light shooting or creating extremely shallow depth of field.
  • Samyang 8mm F3.5 UMC Fish-Eye CS II Lens for Canon gives you a 167° view with a dramatic, exaggerated perspective when used with an APS-C camera, or a powerful circular image floating in the frame when used with a full-frame digital camera or 35mm film camera. On full-frame cameras, Samyang 8mm Fisheye gives a wide field of view, making it ideal for panoramas and 3D virtual tours.
    • The optical construction of the lens is 10 elements placed in 7 optical groups.
    • Ultra wide-angle 8mm fisheye lens with exaggerated perspective for dramatic effects.
    • Ultra-wide 167° diagonal field-of-view for APS-C size image formats--will produce a rounded image that doesn't cover the entire frame when used with compatible full-frame digital cameras or 35mm film cameras.
    • The lens is constructed with hybrid aspherical lenses for outstanding, sharply defined images
    • Lens features a super multi-layer coating to reduce flare and ghost images
    • Lens has a minimum focusing distance of 12" (30.48 cm) for enhanced close-up shots
    • The petal-style lens hood can be removed so as to not interfere with the image when shooting in full frame digital format or 35mm film.
  • Sandbags are useful in the studio to help stabilize your lighting equipment. These sandbags are high quality and professional. This bag comes filled with sand. Useful with boom arms, light stands, tripod, etc.
  • The Sennheiser MKE600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise.Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery-powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed.
    • For Indie Films, TV & Documentaries
    • AA Battery or Phantom Powered
    • Selectable 100 Hz Low-Cut Filter
    • Resists Structure-Borne Noise
    • Low-Noise Circuitry
    • High Sensitivity Requires Less Gain
    • Gentle Presence Boost
    • Windscreen Reduces Wind Noise
    • Lightweight and Rugged Metal Housing
    • Includes Shoe/Tripod Shockmount
  • Updated with the addition of a WiFi module that allows you to control the mount on your smartphone using their SynScan app, the Sky-Watcher USA Star Adventurer 2i Pro Pack gives you a complete rig for wide-field astrophotography with a DSLR or for astronomy with smaller optical tube assemblies (OTAs).
    • 11-Pound Payload Capacity
    • Use for Long-Exposure Astrophotography
    • Timelapse & Panoramic Photo Techniques
    • Built-In WiFi for Smartphone App Control
    • DSLR Shutter Control for Multiple Brands
    • Runs on Two AA Batteries or Optional USB
    • Built-In Polar Scope with Illuminator
    • Equatorial Wedge for Accurate Tracking
    • Declination Bracket & Ball Head Adapter
    • Counterbalance Kit
     
  • Set your set ablaze with Shogun Inferno, the ultimate 7" HDR monitor/recorder. Record ProRes RAW, ProRes, DNxHR or CDNG.Shogun Inferno has extensive monitoring tools, including custom 3D LUTs, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vectorscope. You can even calibrate for color accuracy.The ultimate battery-powered playback deck, review, and playout footage anywhere - scrub through, jog frame-by-frame and even watch back in slow motion. Metadata tag footage as you go to mark favorites, rejects and more. Bring your footage into your timeline and immediately filter your tags.
    • 1920 x1200 Touchscreen Display
    • 10-Bit FRC Monitor Processing
    • 4K HDMI and 12G-SDI Inputs/Outputs
    • 1500 cd/m² Brightness
    • HDR Mode with 10-Stop Dynamic Range
    • High Bright Mode for Rec. 709 Viewing
    • UHD 4K up to 60p / 1080p up to 240 fps
    • 10-Bit 4:2:2 ProRes & DNxHR Encoding
    • Records to 2.5" SSD/HDD Media
    • Dual Sony L-Series Battery Slots
  • A snoot gives a harder, more defined edge which is useful when you want a tight beam of light and a rapid fall-off of light.The grid provides a smoother, more gradual gradient of light.
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